![]() Amélie Nothomb has been very generous with her time and we extend our heartfelt thanks to her for her interest and encouragement. Special thanks go to Professor John Renwick for getting the ball rolling the reading group for so many lively discussions about Amélie Nothomb’s books France Sharratt for transcribing the interview and Katherine Ashley for the translation. Thanks also to David Gascoigne for his thoughtful comments and advice on the manuscript. Our series editor Donald Flanell Friedman was instrumental in getting the project off the ground and we thank him for his unfailing enthusiasm and for his assistance in gleaning financial support from the Belgian Ministry of Culture to assist with production costs. We gratefully acknowledge the expert help provided by the team at Peter Lang. We are also grateful for the funds from the Faculty Research Group which made the publication possible. The conference would not have been possible without the secretarial support of Joanne Naysmith and the financial support of the Centre d’études francophones belges and the Faculty of Arts, University of Edinburgh as well as the British Academy. We would like to thank all those involved in the Amélie Nothomb project, from its beginnings as an informal reading group to the conference held at the University of Edinburgh in November 2001. T RA N S LAT I N G A M É LI E N OT H O M B Andrew Wilson ‘Sabotage, eh?’ Translating Le Sabotage amoureux from the French into the Canadian and the AmericanĪdriana Hunter Narrative Voice in Amélie Nothomb’s Stupeur et tremblements: A Translator’s Impression Marinella Termite ‘Closure’ in Amélie Nothomb’s Novels Lee Amélie Nothomb: Writing Childhood’s End Laureline Amanieux The Myth of Dionysus in Amélie Nothomb’s Work Susan Bainbrigge ‘Monter l’escalier anachronique’: Intertextuality in Mercureĭavid Gascoigne Amélie Nothomb and the Poetics of Excess NA R RAT I V E P RA C T I C E Shirley Ann Jordan Amélie Nothomb’s Combative Dialogues: Erudition, Wit and WeaponryĬlaire Gorrara L’Assassinat de l’écriture: Amélie Nothomb’s Les Combustibles Jean-Marc Terrasse Does Monstrosity Exist in the Feminine? A Reading of Amélie Nothomb’s Angels and Monsters Philippa Caine ‘Entre-deux’ Inscription of Female Corporeality in the Writing of Amélie Nothomb Lénaïk Le Garrec Beastly Beauties and Beautiful Beasts Korzeniowska Bodies, Space and Meaning in Amélie Nothomb’s Stupeur et tremblementsĬatherine Rodgers Nothomb’s Anorexic Beauties R E P R ES E N TAT I O N S O F T H E B O DY Victoria B. With a b as in Belgium Susan Bainbrigge and Jeanette den Toonder IntroductionĪU TO B I O G RA P H Y A N D G E N D E R Hélène Jaccomard Self in Fabula: Amélie Nothomb’s Three Autobiographical Works Désirée Pries Piscina: Gender Identity in Métaphysique des tubes Jacques de Decker Preface: Nothomb avec un b comme Belgique/Nothomb Reprint or reproduction, even partially, in all forms such as microfilm, xerography, microfiche, microcard, and offset strictly prohibited. © 2003 Peter Lang Publishing, Inc., New York 275 Seventh Avenue, 28th Floor, New York, NY 10001 All rights reserved. Die Deutsche Bibliothek lists this publication in the ‘Deutsche Nationalbibliografie’ detailed bibliographic data is available on the Internet at Ĭover photo: Amélie Nothomb by Renaud Montfourny, courtesy of the author and Editions Albin Michel The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council of Library Resources. Nothomb, Amélie-Criticism and interpretation. Library of Congress Cataloging-in-Publication Data Amélie Nothomb: authorship, identity and narrative practice / Susan Bainbrigge and Jeanette den Toonder. Susan Bainbrigge and Jeanette den Toonder New York y Washington, D.C./Baltimore y Bern Frankfurt am Main y Berlin y Brussels y Vienna y OxfordĪmélie Nothomb Authorship, Identity and Narrative Practice Susan Bainbrigge Jeanette den Toonder Editorsĭonald Flanell Friedman General Editor Vol. Amélie Nothomb: Authorship, Identity and Narrative Practice
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